I’m declaring undertow as a verb, as in underdwhelmed, as in, ‘I got undertowed’ by the high praise for the documentary “Maiden”. I like the sound of it and hope to have it goes viral. Of course I’m saying this somewhat tongue in cheek. On the one hand, what the women on “Maiden” did, as… Continue reading Maiden: Using undertow as a verb
Month: August 2019
Tel Aviv on Fire: Firing on All Cylinders
‘Tel Aviv on Fire’, directed by Sameh Zoabi, winner of Best World Cinema at this year’s Sarasota Film Festival, provides what movies are made for: the tonic and affability to temporarily assuage real life troubles. Yet due to Sameh Zoabi and co-writer Dan Kleinman’s complex web of conflicts and sharp dialogue, Tel Aviv on Fire… Continue reading Tel Aviv on Fire: Firing on All Cylinders
Mid film screenwriting is: Blinded By The Light
“Blinded By the Light” written and directed by Gurinder Chandha, most famous for “Bend it Like Beckham”, could have been an award contender, but some silly elf must have helped co-write the middle sections of the film. The movie premise and last twenty minutes were profound, yet a segment of the middle reminded me of… Continue reading Mid film screenwriting is: Blinded By The Light
Mike Wallace is Here: A Convergence of Ideas
I’m having a convergence of ideas culminating in a life changing philosophy. Contributors are: Martha Gellhorn’s Lettters as detailed in an October 2019 release book by Janet Somerville, a song by The Wood Brothers “Postcards From Hell”, a 2014 commencement address by Jim Carrey and last, but certainly not least, the documentary “Mike Wallace is… Continue reading Mike Wallace is Here: A Convergence of Ideas
How Many True Loves Fit into One Lifetime? Marianne & Leonard
Despite some luke warm reviews, I chose “Marianne & Leonard: Words of Love” today over the much lauded “Maiden”. Why you ask? My rapturous viewing of last year’s Nick Broomfield documentary masterpiece, “Whitney: Can I Be Me?”. Don’t get me wrong, Whitney Houston’s music is close to my core, whereas Cohen’s singing seems, dare I… Continue reading How Many True Loves Fit into One Lifetime? Marianne & Leonard
I Don’t Know Why You Say Goodbye, I Say Hello…The Farewell
Lulu Wang’s first major film, “The Farewell”, which she both wrote and directed, should be a tutorial for American film makers. Sure, we have our rare Damien Chazelle folks (rent “First Man”, for instance, which definitely didn’t get enough box office love), but if you want truly poignant pensive artistic moments on film, these days… Continue reading I Don’t Know Why You Say Goodbye, I Say Hello…The Farewell