This may be a one time anomaly, when cinematography, sound, and acting override a basic story that’s been done (Star Wars) and done (Gladiator) and done (Avatar). But Dune, directed and written by Denis Villeneuve (who worked on Arrival, Sicario and Prisoners) with co-writers Joe Spaights and Eric Roth (Forrest Gump, Mank, Star is Born)… Continue reading Dune: This Isn’t Quick Sand, It’s DEEP!
Author: Goldie
Aspiring writer who has retired from the institution of education. I've written plays, three of which have been performed both in Rochester NY and here in Sarasota FL. I also write stand up and obviously, film critique.
My comment section does not work, so please email me your comments at irun2eatpizza@hotmail.com
Four, if Not Five, Movies in One: Bergman Island
Hey! Write to me at irun2eatpizza@hotmail.com since I can’t seem to work out the bugs of my comment section. I’ll write back and would love to hear your views! Bergman Island made my city of five years seem new again. I practically skipped home. Here’s why: Mia Hansen-Love’s film is basically five films in one… Continue reading Four, if Not Five, Movies in One: Bergman Island
Germans and Women win the weekend film contest: No Time To Cry
Sorry Cary Joji Fukunaga, Maria Schrader beat you in the writing and directing departments this weekend. In fact, let me count the ways… 1. Sex appeal: though the lead character of “I’m Your Man” (Maria Schrader’s film) wears librarian fashions, there is an actual passionate sex scene. Whereas James Bond, with the emotional range of… Continue reading Germans and Women win the weekend film contest: No Time To Cry
The Jesus Music: Holy Trilogy of Tears
At one point while watching The Jesus Music at AMC Sarasota, I thought, very un-Christian-like, “who are the dicks on Rotten Tomatoes who didn’t like this?” but then…the movie keeps going and going. Then I had to reverse track and say, I’m one of those dicks. I was moved to tears three times, once regarding… Continue reading The Jesus Music: Holy Trilogy of Tears
Azor: A Creeper with a Calendar
Thank goodness for the calendar in Azor, otherwise I would have not quite understood the full length of Andreas Fontana’s new drama. Let me help you out: the movie is based on 1980 when the government had essentially been overthrown and a period known as The National Reorganization Process took over in the form of… Continue reading Azor: A Creeper with a Calendar
Many Paints in a New Work
I truly enjoyed The Many Saints of Newark. To be fair, I was confused for the first 15 minutes, wishing they all had name tags, but David Chase and Lawrence Konner (with direction by Alan Taylor) had to paint with broad strokes in order to fit in the whole family. So I get it. And… Continue reading Many Paints in a New Work
Just the Iris, The Eyes of Tammy Faye
I guess my main question for Michael Showalter, director of The Eyes of Tammy Faye is why not shoot higher than just a adapted copy of a documentary. Yes, it gave the specific impression that Tammy Faye was duped or lured into manipulation by her narcissistic husband Jim Bakker, but after reading her Wiki page… Continue reading Just the Iris, The Eyes of Tammy Faye
Card Counter doesn’t pass the film formula test
My Film definition: Film = Moments + Story + Personality/Emotion Card Counter works more as a docu-drama. War may begin as ridding the world of ‘monsters’, but in the end the chaos and corruption create or deform innocent people into monsters. Abu Ghraib, obviously horrible. Aftermath, soldiers involved warped and destroyed. Innocent people held in… Continue reading Card Counter doesn’t pass the film formula test
Worth: Michael Keaton’s penultimate performance
Hopefully by now, you know I won’t steer you wrong. So trust me when I say, Worth is not only a superbly written film, it raises Michael Keaton to the Jimmy Stewart and Tom Hanks echelon. I’m from Upstate New York, but because I was a Guidance Counselor when 9/11 occurred, my job that day… Continue reading Worth: Michael Keaton’s penultimate performance
Crime Story, How Great Actors Can Save a Film
Clunky is the best word to describe Crime Story and despite its 17% Rotten Tomatoes, the two leads Mira Sorvino and Richard Dreyfuss are such beautiful actors (inside and out) that you’ll follow them anywhere. I did my due diligence to see what’s true about Crime Story (the first title card says ‘based on true… Continue reading Crime Story, How Great Actors Can Save a Film