Author: Goldie

Aspiring writer who has retired from the institution of education. I've written plays, three of which have been performed both in Rochester NY and here in Sarasota FL. I also write stand up and obviously, film critique.
My comment section does not work, so please email me your comments at irun2eatpizza@hotmail.com

Two Peas (or Indies) in a Pod: “The Comedy” and “Holy Motors”

Before I do my deep dive into the meaning and reviews of these two independent films (The Comedy and Holy Motors both from 2012), let me take a crack at the meaning of each. To preface though, it’s pretty coincidental that they came out the same year though that may be where the similarities end.… Continue reading Two Peas (or Indies) in a Pod: “The Comedy” and “Holy Motors”

Spoiler Alert:A second helping of Annette gleaned these insights

I saw Annette twice and would go again in a heartbeat. I think Adam Driver’s straining voice can be aggravating, but is also symbolic of Henry McHenry’s character straining under the pressure of when an introvert gets caught up in a suffocating life of marriage, fatherhood and competing fame. The foreshadowing of him saying to… Continue reading Spoiler Alert:A second helping of Annette gleaned these insights

Swan Song, hopefully just an opening act

Udo Kier, star of Swan Song is a wonder. He’s been around and while and ashamedly I haven’t seen any of the highly acclaimed recent work he’s done: Bacurau and The Painted Bird, but I’m sure I’ve seen him in one of the many Von Trier movies. But I’ve now redeemed myself by being one… Continue reading Swan Song, hopefully just an opening act

Respect: Who’s Zoomin Who? (if you know nothing about Aretha’s bio, skip the spoilers in paragraph 2)

While I enjoyed Respect, I have to say the traditional biopic formula should be retired. First the start is always sluggish, when if they cut to highlights and then backtracked, you’d wind up with a much better film. Not to mention, you have one of the greatest current singers of all time playing a G.O.A.T.… Continue reading Respect: Who’s Zoomin Who? (if you know nothing about Aretha’s bio, skip the spoilers in paragraph 2)

Adam Driver is staring at me: Annette

I don’t read any reviews before I see a film and have written the review. That statement is mostly true; I read the last paragraph of AO Scott’s Annette review, dying to know what my son and I were in for. Hence, how and why Adam Driver is staring at me, from the accompanying photo… Continue reading Adam Driver is staring at me: Annette

A “Pig”‘s Pulchritude

Beauty is in the eye of the beholder and the adage applies to not only a person’s love for their pet as in Nicolas Cage’s syncopation with his truffle pig, but also my adoration for Cage’s acting career. Sure, his choices haven’t been ‘pretty’ at times, yet when he delivers a performance such as Pig… Continue reading A “Pig”‘s Pulchritude

“Val” Kilmer, A Documentary in Collage Form

Ting Poo and Leo Scott had their hands full in directing the life story of Val Kilmer. Taken almost entirely from his own incessant videotaping his life in it’s entirety, Val literally tells his life story. Had I not read his sumptuously written memoir “I’ll Be Your Huckleberry”, I may have been more impressed. But… Continue reading “Val” Kilmer, A Documentary in Collage Form

Roadrunner: Heartbreaking, But Fair

Say what you want, but I thought Roadrunner was a fair documentary about Anthony Bourdain. He certainly isn’t the first, and unfortunately won’t be the last, of middle aged men who fall in love with a young woman, champion her causes and career, and then suffer heartbreaking infidelity. Obviously, women (including yours truly) have also… Continue reading Roadrunner: Heartbreaking, But Fair

All Hail the King, as in Scott, writer of Frances Ferguson

I’m a new fan of Scott King who was originally praised by Sundance back in 1999 for a film called Treasure Island. Although that film was a drama, it still managed to star Nick Offerman, who I am assuming is a friend, as Offerman narrates in his signature deadpan style Frances Ferguson released in 2020.… Continue reading All Hail the King, as in Scott, writer of Frances Ferguson