I watched the beginning of “Luce” with a sideways skeptical glance…as in, “Really? Why did I choose this movie? I don’t like dramas, real life holds plenty of drama.” But dubiousness turned to respect as this intricate story seemed to be 90 percent (see below for the 10% baloney) possible in the real world. Conversations… Continue reading Every Which Way But “Luce”
Author: Goldie
Aspiring writer who has retired from the institution of education. I've written plays, three of which have been performed both in Rochester NY and here in Sarasota FL. I also write stand up and obviously, film critique.
My comment section does not work, so please email me your comments at irun2eatpizza@hotmail.com
What’s Up Doc? David Crosby: Remember My Name
Contact info: Email: irun2eatpizza@hotmail.com As I called the era a few blogs ago, 2019 really does seem to be the Year of the Doc. Ask Dr. Ruth, Pavarotti, Marianne & Leonard, Maiden, Echo in the Canyon… all in the running this year for best documentary. But really, who’s the best? I have to say, three… Continue reading What’s Up Doc? David Crosby: Remember My Name
Sweetest Peanut Butter I’ve Ever Known
Hyperbole, schmyperbole, I’m jumping on The Peanut Butter Falcon Oscar bandwagon ready to throw non-breakables at the television should it not win several awards. Best Original Screenplay: Tyler Nilson and Mike Schwartz are the new Affleck/Damon, great storytelling and not a second of filler in the entire movie. My movie companion was dying to get… Continue reading Sweetest Peanut Butter I’ve Ever Known
American Factory; Teeter Totter
I actually had to google teeter totter just now having not used the word in so long. In fact, I miss teeter totters and should go find one. Of course, I’d have to find a partner, not the bully types who back in grade school bumped you up too high and too fast where you… Continue reading American Factory; Teeter Totter
Maiden: Using undertow as a verb
I’m declaring undertow as a verb, as in underdwhelmed, as in, ‘I got undertowed’ by the high praise for the documentary “Maiden”. I like the sound of it and hope to have it goes viral. Of course I’m saying this somewhat tongue in cheek. On the one hand, what the women on “Maiden” did, as… Continue reading Maiden: Using undertow as a verb
Tel Aviv on Fire: Firing on All Cylinders
‘Tel Aviv on Fire’, directed by Sameh Zoabi, winner of Best World Cinema at this year’s Sarasota Film Festival, provides what movies are made for: the tonic and affability to temporarily assuage real life troubles. Yet due to Sameh Zoabi and co-writer Dan Kleinman’s complex web of conflicts and sharp dialogue, Tel Aviv on Fire… Continue reading Tel Aviv on Fire: Firing on All Cylinders
Mid film screenwriting is: Blinded By The Light
“Blinded By the Light” written and directed by Gurinder Chandha, most famous for “Bend it Like Beckham”, could have been an award contender, but some silly elf must have helped co-write the middle sections of the film. The movie premise and last twenty minutes were profound, yet a segment of the middle reminded me of… Continue reading Mid film screenwriting is: Blinded By The Light
Mike Wallace is Here: A Convergence of Ideas
I’m having a convergence of ideas culminating in a life changing philosophy. Contributors are: Martha Gellhorn’s Lettters as detailed in an October 2019 release book by Janet Somerville, a song by The Wood Brothers “Postcards From Hell”, a 2014 commencement address by Jim Carrey and last, but certainly not least, the documentary “Mike Wallace is… Continue reading Mike Wallace is Here: A Convergence of Ideas
How Many True Loves Fit into One Lifetime? Marianne & Leonard
Despite some luke warm reviews, I chose “Marianne & Leonard: Words of Love” today over the much lauded “Maiden”. Why you ask? My rapturous viewing of last year’s Nick Broomfield documentary masterpiece, “Whitney: Can I Be Me?”. Don’t get me wrong, Whitney Houston’s music is close to my core, whereas Cohen’s singing seems, dare I… Continue reading How Many True Loves Fit into One Lifetime? Marianne & Leonard
I Don’t Know Why You Say Goodbye, I Say Hello…The Farewell
Lulu Wang’s first major film, “The Farewell”, which she both wrote and directed, should be a tutorial for American film makers. Sure, we have our rare Damien Chazelle folks (rent “First Man”, for instance, which definitely didn’t get enough box office love), but if you want truly poignant pensive artistic moments on film, these days… Continue reading I Don’t Know Why You Say Goodbye, I Say Hello…The Farewell