I saw Annette twice and would go again in a heartbeat. I think Adam Driver’s straining voice can be aggravating, but is also symbolic of Henry McHenry’s character straining under the pressure of when an introvert gets caught up in a suffocating life of marriage, fatherhood and competing fame. The foreshadowing of him saying to… Continue reading Spoiler Alert:A second helping of Annette gleaned these insights
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Swan Song, hopefully just an opening act
Udo Kier, star of Swan Song is a wonder. He’s been around and while and ashamedly I haven’t seen any of the highly acclaimed recent work he’s done: Bacurau and The Painted Bird, but I’m sure I’ve seen him in one of the many Von Trier movies. But I’ve now redeemed myself by being one… Continue reading Swan Song, hopefully just an opening act
Undine, (Water)Mark her words
I discovered Christian Petzold after catching Transit one home cinema evening. I enjoyed how smart the story was and how it challenged me to pay attention. Likewise, with Petzold’s newest Undine, loosely based on the water nymph mythology. Petzold reteams the unrequited lovers in Transit, actress Paula Beer and Franz Rogowski as well as another… Continue reading Undine, (Water)Mark her words
Mind blowing is not hyperbole: Soul
You’re reading a review by an adult cynic…like animation!? Poppycock. Except….”I Lost My Body” and “Up”. So small group of exceptions. But add and in fact, move “Soul” to the number one position…in fact call me Kanye storming the stage if it doesn’t win the best Oscar animated film. And it makes perfect sense, since… Continue reading Mind blowing is not hyperbole: Soul
Hunger (2008), Beware the Yikes of March
The lovely ladies at Burns Court Theater (part of the Sarasota Film Society) were wonderful hostesses to a pre-St Patty’s Day event showing Steve McQueen’s Hunger from 2008. But let me tell you something…this was realism in all caps, like this: REALISM! Attending this film is as close to being in the Maze Prison in… Continue reading Hunger (2008), Beware the Yikes of March
My Finalized List: Top 10 Movies of 2020
Driveways Judas and the Black Messiah Never Rarely Sometimes Always Sound of Metal Pieces of a Woman Minari Forty Year-Old Version The Life Ahead Another Round The Last Shift The Father One Night in Miami Shirley Nomadland Mank Let Them All Talk Dick Johnson is Dead Jimmy Carter Rock and Roll President Borat Subsequent Movie… Continue reading My Finalized List: Top 10 Movies of 2020
The Climb, Placing My Oscar Bet on Zach Kuperstein
Ok, that bet I just posted in my title, I’d like to place it to happen in the next ten years, since the ye olde Academy has enough fish to fry for awhile. But mark my words, they’ll see the genius of Zach Kuperstein (already nominated for a Independent Spirit (the smartest) Awards for The… Continue reading The Climb, Placing My Oscar Bet on Zach Kuperstein
Rebecca, the Original 1940
In anticipation of watching the Armie Hammer remake, I had to first watch the original Rebecca from 1940, which is the only film Hitchcock ever won an Oscar (and this for film, not direction). The 1940’s version starts Laurence Olivier as the oxymoronic man both aloof and temperamental. The character, at least portrayed here is… Continue reading Rebecca, the Original 1940
The Trial of the Chicago 7
Aaron Sorkin’s prolific and still relatively young. As I perused his filmography, here are my top five of his films: 1. Steve Jobs 2. Social Network 3. Moneyball 4. Molly’s Game 5. Tie: Charlie Wilson’s War and today’s specialty The Trial of the Chicago 7 Aaron’s forte is his snappy storytelling and The Trial of… Continue reading The Trial of the Chicago 7
On the Rocks, Conned this Rox
One of my top fifteen movies of all time is Lost in Translation, Sofia Coppola’s gorgeous ode to feeling misunderstood, captured perfectly by two different generations (Bill Murray and Scarlett Johansson) who come together in a hotel bar. So I went skipping to On the Rocks, Sofia’s newest using Bill Murray again, in a different… Continue reading On the Rocks, Conned this Rox