I love Jake Gyllenhaal, most in Nightcrawler tied with Broke Back Mountain. Source Code? Again, great due to the sincerity he pours into every role. Now,(clearing of the throat) he does do the same top notch performance, but dog gone it, could someone have given the script more nuanced characters? Are we really going to… Continue reading Over One Million (Punches) Served: South Paw
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J. Schwartzman: “I Kissed a Guy and I Liked…”
“The Overnight” didn’t meet my unrealistic expectations. I was hoping for something akin to Demme’s “Something Wild”, but except for Jason Schwartzman who makes the best semi real comically kooky man since Woody Allen, this film was more like couples therapy than comedy. What was missing was a little more slapstick which I rarely encourage.… Continue reading J. Schwartzman: “I Kissed a Guy and I Liked…”
Aging Al Pacino (Danny Collins)vs. Female Robot (Ex Machina)and the winner is…
You would think that an aging Al Pacino in Danny Collins (directed by Dan Fogelman) couldn’t hold a candle to a futuristic Ex Machina robot (directed by Alex Garland), but you would be wrong. Ex Machina makes Under the Skin look like an action flick. A more appropriate title might be “Pregnant Pause”. Conceptually it’s… Continue reading Aging Al Pacino (Danny Collins)vs. Female Robot (Ex Machina)and the winner is…
While We’re Young; a six cheek pincher
Noah Baumbach’s writing and directorial oeuvre is impressive. If you’ve never seen Greenberg, The Squid in the Whale, or Frances Ha, get thee to a Netflix account pronto…or go to the theater and see his latest “While We’re Young” which is of a similar stature. Every main character was believable (Watts, Stiller, Seyfried, Driver) and… Continue reading While We’re Young; a six cheek pincher
Peaks and Valleys: The Imitation Game and 50 Shades of Grey
There’s no connection between these two films. Though my opinion going in was reversed in both cases. I thought The Imitation Game would be maudlin historical fiction, but due to Benedict Cumberbatch’s genuine portrayal and Kiera Knightley fantastic as his beard, I was truly moved. I don’t, however, think it was best picture worthy and… Continue reading Peaks and Valleys: The Imitation Game and 50 Shades of Grey
Oscar Comments and New Domain Name Coming Soon
The comment I like best about the best picture Oscar going to Birdman is, “it’s a shallow movie attempting to be deep.’ And as stated in my blog on Birdman, the movie could have been a triumph for Michael Keaton, surely an aging man (or woman) in crisis is worthy of dramatic rendering. But, instead,… Continue reading Oscar Comments and New Domain Name Coming Soon
Force Majeure and Brene`Brown’s The Courage to Be Vulnerable
Force Majeure is so original that I wonder why it’s missing from Oscar’s best foreign films nominations. The acting and sound design were impeccable. And while running this morning, listening to NPR’s On Being, I realized the importance of an important theme that may be lost in the shuffle of the film’s moral question: when… Continue reading Force Majeure and Brene`Brown’s The Courage to Be Vulnerable
The American Sniper Question; the man, technology’s decimation or age’s wrath?
Here’s the deal: I saw the 73% Rotten Tomatoes, but wanted to see ‘American Sniper’ anyway. Was the percentage accurate? I guess so, considering Cooper’s acting performance and the sand storm scene which were both well executed. Yet the story lacked those moments that evoke sentiment, other than the obvious, ‘war is hell’. Other peripheral… Continue reading The American Sniper Question; the man, technology’s decimation or age’s wrath?
The Master, poetry; Inherent Vice, lowly Cliff notes
Rarely am I so harsh, but when a guy like PT Anderson, who has made some of my favorite movies of all time (Magnolia, Boogie Nights, The Master), puts out inexplicable babble like “Inherent Vice”, I have to say pare that 369 page tome down more or don’t film it all. PT Anderson knows that… Continue reading The Master, poetry; Inherent Vice, lowly Cliff notes
Frank-ly Give a Damn and a Half
Reminiscent of my recent “The Drop” experience, the movie “Frank”, directed by Lenny Abrahamson, leads to a slow boil. And while The Drop’s after effects were more about character and acting appreciation, my post Frank experience carried more emotion, especially when I saw the birth and death dates of the real Frank, Chris Sievey’s (1955-2010).… Continue reading Frank-ly Give a Damn and a Half