I think perhaps my response to their (Adam Kempenaar and Josh Larsen’s) recent podcast (available on Spotify) is better written than either of my reviews. So, here’s a copy: I absolutely love your podcast! I had comments on both The Holdovers and Priscilla: The Holdovers I pray is Giamatti’s chance to win an Oscar. By… Continue reading My Love Letter to the Filmspotting Podcast
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The Holdovers, It’s Giamatti Time
The Holdovers, directed by Alexander Payne and written by David Hemingson, brings Giamatti to the top of the acting mountain and he is my number won for best actor (already). Two other actors in the film also deserve accolades; Dominic Sessa as the neglected emo, does a yeoman’s job not to overact and Da’Vine Randolph… Continue reading The Holdovers, It’s Giamatti Time
How to Think Deeply in Twenty Minutes
I’m growing weary of the fast paced life I lead. But with triple generations and a personal life to attend to, I need to keep saying, I’m blessed. And I am. Thinking deeply goes by the wayside though and so I’ll do by damndest to say something about the collection of Texas films I’ve led… Continue reading How to Think Deeply in Twenty Minutes
Killers of the Flower Moon: About Damn Time
With appreciation to Lizzo for the song title “About Damn Time”, the title fits this review in two ways. First and and foremost, God bless David Grann who wrote the original book and Martin Scorsese for adapting it with Eric Roth. Even more so, to decide instead of a police/FBI procedural to depict the interior… Continue reading Killers of the Flower Moon: About Damn Time
She Came to Me (and said, now THIS is screenwriting)
Consider me super relieved that Peter Dinklage redeemed himself from the awful Cyrano debacle. But it’s Rebecca Miller who I really have to thank, and since I’m in a familial thankful mood, also props to her father Arthur, who provided her with the creative genes to write and direct She Came to Me. First, she… Continue reading She Came to Me (and said, now THIS is screenwriting)
Manhattan Short Film Festival Takes
I may have just spaced out on The Manhattan Short Film Festival in the past seeing as how this year marks its 26th annual year. Admittedly, I’m not a short movie fan, feeling the same way about music fests, and even food buffets; I’m a fidelity gal, rather absorbing a longer film, larger amount of… Continue reading Manhattan Short Film Festival Takes
Passages: Hey Mikey, She Likes It!
Stop the presses, for once I like a movie more than the New York Times. In fact, Amy Nicholson was downright harsh. Don’t get me wrong, I didn’t LOVE Passages. But I did appreciate and even knowingly shake my head in understanding and remembering my second marriage which had an eerily similar dynamic of a… Continue reading Passages: Hey Mikey, She Likes It!
Jules is Jewel
Jules is a sweetheart of a film due to the nexus of solid writing(Gavin Steckler in what looks to be his first foray into feature length film), Oscar nominated director (Marc Turtletaub of Little Miss Sunshine) and an outstanding trio of actors (Curtain, Kingsley & Hariss). First a word about Sir Ben Kingsley, I’d be… Continue reading Jules is Jewel
Commission Possible: Dead Reckoning Dialogue
Fun vocabulary fact: Commission can mean the money you make on sales. Commission can also mean the act of granting certain powers or the authority to carry out a particular task or duty. And boy did the “writers” have a commission for lame dialogue. Read on. But first, Mission Impossible: Dead Reckoning is worth seeing.… Continue reading Commission Possible: Dead Reckoning Dialogue
EveryBOGEY Loves Raymond: Somewhere in Queens
SOMEWHERE IN QUEENS (Directed and co-written by Ray Romano) was a feast of acting by Laurie Metcalf, Ray Romano, Jennifer Esposito and Sebastion Maniscalpo. Romano possesses a sad eyed handsome Bogart mystique and you can’t help but love him, hence EveryBOGEY Loves Raymond. My hope is for him to receive a few award nominations. He’s… Continue reading EveryBOGEY Loves Raymond: Somewhere in Queens