What do you do when your favorite movie of the year “Driveways” (directed by Andrew Ahn) is upstaged by a grander (action-wise) movie “Minari” (directed by Lee Isaac Chung)? I guess both could be in my top ten, but it’s a difficult choice. Both films by Asian and Korean directors are masterpieces in my book.
Minari’s tralier was a bit suspect…it looked like it could be a corny affair, meaning here comes an Asian family moving to Arkansas to re-start their lives after menial jobs in California were driving them mad. The movie’s conflict seemed quite poignant and real (until the end-no spoilers, but will be in my upcoming quibbles paragraph). Which helps me make up my mind that Driveways stands as my number one, there wasn’t one false move in the entire film and the music was delectable (though don’t get me wrong Emile Mosseri’s soundtrack is very good).
Before I tear the movie down a bit, let me explain what got me…marital strife between two people who loved each other initially is always an emotion grabber for me, as are elderly Grandma’s who try, but are never going to beat the devil of mortality. In addition, cute little kids, however precocious, always make me smile.
Here are my problems with the film: any woman who still bitches after receiving great news is a beeatch. That does not ring true with reality. If you are with a woman who is not grateful, get rid of her asap! Second, if you’re a mother allegedly worried about your son’s heart murmur, you don’t allow him to stay over night at some rando kid’s house or let your elderly mother take charge.
In a head to head match up between little kid actors (mind you I’m still way ticked off that Noah Jupe didn’t get more accolades for Honey Boy) Lucas Jaye from Driveways wins over Alan S. Kim from Minari. And while I was wringing my hands during the first paragraph, trust me when I say that while Driveways doesn’t have the ‘fireworks’ that Minari does, it is a better movie. Email me with disagreements at irun2eatpizza@hotmail.com