Parkland, Better Than Jackie. Reviewers, what gives?

Ok, I realize stylistically Jackie is superior to Parkland. But being a Terrence Malick wannabe, is that really better than story? I want to walk away from a film feeling like I learned something new as I did with Parkland, and not bludgeoned with gore porn as I did with Jackie. And I promise I… Continue reading Parkland, Better Than Jackie. Reviewers, what gives?

Mr. Right indeed, but the Movie, Mr. Mediocre

My number one fantasy man is still John McEnroe (not a movie actor-smiley face). He’s the primal adolescent raging hormone man I fell in love with, and plastered my bedroom wall with a giant photo collage with, so long ago. And speaking of high school, I felt that way and this photo reflects that sentiment… Continue reading Mr. Right indeed, but the Movie, Mr. Mediocre

God Before Bod: Becket (1964)

I was going to title this Bro’s Before Ho’s, but decided to at least be p.c. in my hook. Male fellowship is more of a recurring theme in film than I had previously considered. Or perhaps, it just happens to be a motif occurring in some of the movies I’ve seen as of late: The… Continue reading God Before Bod: Becket (1964)

The Nearness of You: Bright Star, a 2009 Perfection

I started having a fantasy the year James Taylor came out with his version of Glenn Miller’s classic “The Nearness of You”. The fantasy was simple, a slow dance with the man I love (preferably in moonlight or candle light). The man I was dating at the time, a sensitive itinerant painter who would not… Continue reading The Nearness of You: Bright Star, a 2009 Perfection

Last of the Female Director Trilogy: Jane Campion’s The Piano

Again, thanks to the Amazon series “I Love Dick”, I happened upon two older films and a reminder of a third (I had already taken in) from three power house female writers/directors. To recap, I had seen Chantall Ackerman’s film, recently saw Potter’s Orlando, and last night viewed Jane Campion‘s The Piano. And I know,… Continue reading Last of the Female Director Trilogy: Jane Campion’s The Piano

Not AABA’s “Orlando”, But Just as Pretty

So I’m watching what I thought was a new Amazon show, I Love Dick (not an Anthony Wiener expose`) hoping to scoop my ultra hip friend Carrie- (only later to be told by Carrie that she saw the show previewed a year ago among many other Amazon shows which were voted on, “but wait, I… Continue reading Not AABA’s “Orlando”, But Just as Pretty

“Norman”, or more apropos, a Seinfeldesque, Newman!

Here’s my culpability, I didn’t properly vet the movie Newman, I mean “Norman”. Working two fun jobs before my pension kicks in, I am admittedly sleep deprived. Hence, I thought Norman was the Richard Gere film about a homeless man that received great reviews. And who knows? Norman may have been homeless, too, for all… Continue reading “Norman”, or more apropos, a Seinfeldesque, Newman!

The Dinner, have some reservations

Oren Moverman, how are you? I had no idea until just now that Moverman who directed The Dinner, the new movie based on the book by Howard Koch, also directed one of my (and my movie date)’s favorite movies of all time: Love&Mercy. The Dinner, sadly, is a film you should have reservations about…. Am… Continue reading The Dinner, have some reservations

Unsupervised Teens, Always Big Trouble “L.I.E.”

Wow, just finished a recommendation for a PPLL, L.I.E. directed by Michael Cuesta. Was surprised I hadn’t heard of this director considering how well written and how artistically directed this film was from ‘way back’ in 2001. And while an Emmy for Homeland is nothing to sneeze at, I would have expected his subsequent films… Continue reading Unsupervised Teens, Always Big Trouble “L.I.E.”