I love Ed Norton. My admiration began in 1996 with “Primal Fear”, where his performance and shockingly cool twist ending made me say, ‘Wow’. From there, in Spike Lee’s super hip “25th Hour” with Philip Seymour Hoffman, moving on to his many Wes Anderson film performances. But the real affection began watching his roast speech… Continue reading Motherless Brooklyn; an orphan in this year’s films