There’s so much that is moving about The Father. First and foremost, the screenplay adapted by Christopher Hampton (Oscar winner for Dangerous Liaisons, nominated for Atonement) from playwright Florian Zeller’s play, originally billed as a black comedy. In directing this film, Florian Zeller has stripped out comedic elements, simultaneously sharpening the realism of what it… Continue reading “The Father”, the Hon and the Holy almost